Sunday, May 27, 2012

SEINFELD - Season 4, Episode 21 - The Smelly Car


“The Smelly Car”

First Script Read: Saturday, February 27, 1993
Filmed: March 3, 1993
Aired: April 15, 1993
Nielsen rating: 17.8
Audience share: 28 (just under 25 million viewers)
Directed: Tom Cherones
Writer: Larry David and Peter Mehlman

For a very brief period in my life, I thought Nick Bakay was the funniest man alive. It was 1994. I was 13 years old and already in love with comedy. I watched a lot of sitcoms, but Seinfeld was merely a face in the crowd of my consciousness at this point. A couple years before my cousins had taken me to see Naked Gun 2 1/2 at the Tabernacle in Thousand Islands Park. I immediately fell in love with Zucker brothers movies and the like. From there, I branched into sketch comedy. I'd got my parents to rent every Monty Python movie I could find at Village Video. I would stay up late to watch Saturday Night Live, and caught SNL syndicated on Comedy Central. So when ABC debuted a new prime-time sketch comedy show called She TV, I was all-in. It lasted only half a season, so I must have watched just about every episode. I remember a Forrest Gump parody when Forrest mused on whether life was really like a box of chocolates, if all the chocolates in the box were the same flavor or if the box had a map so you could identify which chocolate was which. And I remember Nick Bakay. He's the only member of the cast (which, I had forgotten until now, included Bea Arthur and Jennifer Coolidge) that I can recall. He had a Cheshire cat grin and a detached amusement that I found engaging. 

She TV wasn't a hit, and it quickly disappeared from my life. Nick Bakay would pop up in random places over the years, most excitingly when  he did a humorous Sportscenter segment called "Tale of the Tape." In it Bakay broke down a key match-up side by side, category by category. He brought the gimmick to ESPN.com's "Page 2," where you can still read them here. In 2007, my beloved Simmons used the "Tale of the Tape" idea for an ESPN: The Magazine column. I saw it and immediately said to myself, "Hey! He stole Nick Bakay's idea!" After a few moments, I realized it was a pretty simple column idea, so I gave The Sports Guy a pass. A few days later someone called out Simmons in a chat. Here's the exchange:

Rob (Dallas): Did you send Nick Bakay his check for you stealing his bit for your last Mag column?
Bill Simmons: I'm sorry, I didn't know Bakay invented the concept of breaking down 2 players by categories. What a brilliant idea, he hasn't gotten enough credit.

Well played, Simmons. Anyway, I think Dr. Jack Ramsey had this idea before either of them. At the very least, he's much older. What I was most surprised about was that anyone else actually knew who Nick Bakay was. According to his IMDb page, he kept himself busy doing animated voices; most famously he was Salem the cat on Sabrina, the Teenage Witch. He also wrote for King of Queens.

Long story short (too late), I've always had a soft spot for Nick Bakay. This episode was an early break in his career. He plays Elaine's boyfriend, Carl, who doesn't sleep with her because he smells the B.O. from Jerry's car. He doesn't have many lines, but he does nail the "I smell something funny" face a couple of times in the episode. Good job, Nick Bakay.

There's not much more to say about the episode. Jerry's car stinks from a valet's B.O. The stink clings to him and Elaine after they ride in it. They can't get rid of the smell, so eventually Jerry lets a man on a street steal the car and Carl, presumably, breaks up with Elaine.

Things do get very interesting for George, and Seinfeld's gentle homophobic strands crop up again. George runs into Susan at a video store (he's returning Rochelle, Rochelle) and discovers his ex-girlfriend is now dating a woman, Mona. Floored, George is convinced he was directly responsible for her shift in sexuality. He frets about it and manages to meet her again at the video store, where she dismisses the idea he drove her to lesbianism. George takes the opportunity to clear up some other confusion he has about lesbians:

GEORGE: Listen. Let me ask you something. If you and Mona were ever to dance, how do you decide who leads? I mean, do you take turns? Do you discuss it beforehand? How does that work?
SUSAN: You're an idiot.
GEORGE: Why? That's a legitimate sociological question!
SUSAN: I'll see ya. And George, by the way, you stink. Real bad.
GEORGE: It's not me! It's the car!

George also admits he is more attracted to Susan than ever now that he's found she is a lesbian. Jerry, upon hearing this, resists the urge to press George on the reasons why. I can offer one suggestion, besides the peculiar, illogical eroticism that heterosexual males associate with homosexual females in contemporary culture. George is doing what we in the humanities call "Othering." He is exoticizing Susan in his mind, imagining her to be a different species from him. His mind focuses on the difference between them and forgets their commonalities. Susan senses this attitude and is offended. After all, there's nothing inherently offensive about George's question. It's idiotic, but it's not offensive. It's his own discomfort, his own reaction to his perception of her as an "other," that rubs Susan the wrong way. This attitude is inherent in Seinfeld's portrayal and treatment of homosexuals, at least in its first few seasons. Down the road, in season seven, "The Wig Master" portrays Jerry as completely comfortable around homosexuals, while still finding humor in their contrasting sexuality; unlike "The Outing," in "The Wig Master" Jerry is offended when someone doesn't think he is gay. But that's a story for another time... For now, Susan disappears again, though not before Mona is stolen from her...by Kramer!

SEINFELD - Season 4, Episode 20 - The Junior Mint

“The Junior Mint”

First Script Read: Friday, February 19, 1993
Filmed: February 23, 1993
Aired: 9:30 pm, Thursday, March 18, 1993
Nielsen rating: 18.6
Audience share:  29 share (26 million)
Directed: Tom Cherones
Writer: Andy Robin (This is the first of many scripts written by Robin, who worked on the show from season four through the finale, and collaborated with Jerry Seinfeld to write the animated feature film Bee Movie)


Things don't get much darker, and the gang doesn't get much shallower than in this episode.

Let's start with Elaine. Her attraction to Roy, the struggling (and, after Elaine broke up with him, literally starving) artist is almost completely based on superficial qualities:

ELAINE: Remember Roy, the artist?
JERRY: Right, the triangle guy.
ELAINE: Exactly, the triangle guy.
JERRY: Yeah, you liked him. What happened with him?
ELAINE: Yeah, I did. He was very talented. He was just a little too...
JERRY: Artsy?
ELAINE: Fat.
JERRY: Oh.
ELAINE: He was a fat, starving artist, you know. That's very rare. Anyway, he's in the hospital. He's having surgery and I feel like should go visit him.

Elaine, not up for the awkwardness of seeing her ex alone, convinces Jerry to go with her and pretend to be her current boyfriend. Hilarity ensues when, upon discovering Roy is now thin, Elaine wants to abort the fake-boyfriend idea but Jerry, for his own amusement, keeps up the charade. She appears to be on track to get back together with Roy, until Roy begins his recuperation, scarfing down an entire plate of spaghetti in front of the turned-off Elaine.

I'd estimate Elaine's Dating Index for Roy, based on the xGBDI I came up with in my post on "The Fix Up," as follows:
75% - looks
15% - occupation
10% - personality
Actually it's a lot closer to the Male xGBDI, based on George in "The Fix Up," another supporting piece for the "Elaine is just one of the guys" thesis. Elaine can be just as superficial as her bald, male friend.

George, meanwhile, discovers $1900 in a forgotten savings account. He looks for an exciting way to "make a big score." When Elaine announces that Roy's prognosis is negative (um... by negative, she means positive...positive for a mysterious internal cavity infection...which is a negative thing...but you know what she means...), George decides to buy Roy's art, musing, "You know, if the guy dies, the art could really be worth something." He thus puts himself in the position of rooting for Elaine's friend to die. Ultimately, he is unapologetically disappointed when he hears Roy is getting better. "Where's the luck?" he moans. "There's no luck! $1900 down the drain!"

Jerry and Kramer briefly believe they might be the cause of Roy's mysterious infection. It's a reasonable concern, considering, while watching the surgery, they accidentally dropped a Junior Mint into Roy's body cavity. Kramer is normally the more compassionate of the pair, but he stops Jerry from calling the hospital to confess the candy incident:

JERRY: We gotta confess.
KRAMER: Really?
JERRY: Yes!
KRAMER: We could be tried for murder.
JERRY: I can't have this on my conscience. We're like Leopold and Loeb!
KRAMER: You're not gonna say anything, you got that?
JERRY: I'm telling and you can't stop me!
KRAMER: You're not!!!

Jerry does resist for a while, but eventually he makes the call. Fortunately, Roy gets better. His doctor's final comments even suggest the Junior Mint might've helped stop the infection. I have no medical evidence to back me up," the doctor says gravely, "but something happened during the operation that staved off that infection. Something beyond science. Something perhaps...from above." Jerry and Kramer never tell anyone their secret besides George, who perhaps used the insider knowledge of the Junior Mint's presence next to internal organs when he bet on Roy's death.


Frankly, I think the writer, Andy Robin, got Jerry and Kramer's characters backwards a bit in this episode. I think Kramer would have been the first one to give in to his conscience. Perhaps Kramer's brush with a murder arrest at the beginning of the season ("The Trip: Parts I and II") made him more afraid of the legal system, but he was comically nonchalant about his arrest in those episodes, rightly convinced his innocence would be quickly revealed. Kramer is more likely to feel sorry for pain he inflicted on others, while Jerry tends to seek his own well-being over anyone else's. Jerry is a man who, in this same episode, made out with a woman whose name he had forgotten. Yup! It's the Mulva/Delores episode. Say what you will about Robin's characterization of Jerry and Kramer, but his first episode is a gem.

Saturday, May 26, 2012

SEINFELD - Season 4, Episode 19 - The Implant


“The Implant”

First Script Read: Thursday, January 28, 1993
Filmed: Tuesday, February 2, 1993
Aired: February 25, 1993
Nielsen rating: 18.9
Audience share: 28 (27.3 million)
Directed: Tom Cherones
Writer: Peter Mehlman

Between George double-dipping chips at his girlfriend's funeral and Teri Hatcher's classic line, "They're real. And they're spectacular," this is a fun episode.

At the health club, Sidra, Hatcher's character, disses Jerry right to Elaine, never realizing Elaine's connection:

SIDRA: He's one of those guys who is obsessed with neatness and order? Everything has gotta be just so. He would have made a great Nazi.

Yikes! Is this how all women talk in the sauna? I know Sidra is upset that Jerry ditched her after one seemingly good date (Elaine convinced him Sidra had implants), but a Nazi? Some Seinfeld fans would presumably catch the reference to "The Limo," but it's not an obvious allusion.

Of course, Elaine isn't too bothered about her best friend being called a Nazi. To stick up for Jerry would blow her cover and ruin the episode's plot, but it would also be the loyal thing to do. But these characters are never loyal. As much as they needle and tease each other, some of their harshest comments about each other are spoken when the target is not in the room.

Friday, May 25, 2012

SEINFELD - Season 4, Episode 18 - The Old Man


“The Old Man”

First Script Read: January 17, 1993
Filmed: January 19-20, 1993
Aired: Thursday, 9:30 pm, February 18, 1993
Nielsen rating: 16.1
Audience share: 24 (First show to go up in viewers after Cheers since Taxi did it in early 1980s)
Directed: Tom Cherones
Writer: Bruce Kirschbaum (story) (also credited for writing season 5’s “The Conversion” and season 6’s “The Switch”) and Larry Charles (teleplay)

Here we go again...the gang sets out to do offer some selfless help to other human beings and, well, you can guess where it goes from here. (See, for example, "The Cafe," and "The Bubble Boy.")

Elaine finds George whining about life to Jerry at the restaurant. She tells them she's signed up to spend time with a senior citizen. The idea of doing a good deed is revolutionary to George:

GEORGE: Really?!
ELAINE: Yeah. God, I can't tell you how I feel! I mean, I feel so good! I really feel good! The strange thing is, I mean, I haven't even met the woman yet.
GEORGE: Volunteer work, huh?
JERRY: What're you gonna do down there?
ELAINE: Well, they say all it is is that you go over to their apartment and, I don’t know, you take them for a walk and you get a cup of coffee and it's supposed to make them feel good.
JERRY: That's what I do with him. [POINTS AT GEORGE]
GEORGE: When did you get this idea?
ELAINE: Last time I had lunch with you here. You were going on and on and on about how you wanted to meet somebody who didn't speak English.
JERRY: What, do you break it in with her, then you try it out on me?
GEORGE: And... and anybody can do this?
ELAINE: Yup.
GEORGE: Helping people. Of course. Of course! It makes perfect sense! How could I not be doing this!? I am gonna help somebody, damn it!
ELAINE: What about you?
JERRY: Nah, it's not for me.
ELAINE: Jerry, if anybody should be doing this, it's you.
GEORGE: What kind of a person are you?
JERRY: I think I'm pretty much like you, only successful.

Jerry gets talked into it and the three of them are matched with senior citizens. The flaw in their plan is that their motives are not selfless but rather therapeutic; they want to serve senior citizens because it will make them feel good about themselves. It doesn't work out that way. Jerry's guy, Sid, is bitter, crotchety, and paranoid. He is unpleasant to be around, so Jerry vows to dump him. He does go back once more, but only so Kramer and Newman can take Sid's vintage records to sell and so George can meet Sid's exotic Senagalese maid. In the course of the visit, Sid's false teeth are incinerated in the sink and Sid disappears from his apartment.

Elaine is matched with a woman who, to Elaine's amazement, once had a torrid affair with Ghandi. This story is briefly enough for Elaine to get over her disgust at looking at the woman's face; she has a large goiter.

George's experience is briefest of all. Instead of listening to Ben, George makes Ben feel worse by moaning about his own fear of death:

BEN: No, I feel great for 85.
GEORGE: You know, the average life span for an American male is like, 72. You're really kinda pushing the envelope there.
BEN: I'm not afraid of dying. I never think about it.
GEORGE: You don't? Boy, I think about it a lot. I think about it at my age. Imagine how much I'll be thinking about it at your age. All I'll do is keep thinking about it until it drives me insane.
BEN: I'm grateful for every moment I have.
GEORGE: Grateful? How can you be grateful when you're so close to the end?! When you know that any second-- Poof! Bamm-O! It can all be over. I mean you're not stupid. You can read the handwriting on the wall. It's a matter of simple arithmetic, for God’s sake!
BEN: I guess I just don't care.
GEORGE: What are you talking about? How can you sit there and look me in the eye and tell that me you're not worried?! Don't you have any sense?!! Don't you have a brain!? Are you so completely senile that you don't know what you're talking about anymore!!?! [BEN GETS UP] Wait a second, where are you going?
BEN: Life's too short to waste on you.
GEORGE: Wait a minute, please…
BEN: Get out of my way!

As usual, Elaine, Jerry, and George are trapped in their own self-absorption. They cannot serve the community as long as they are only interested in serving their own immediate interests and desires.